Manifest Destiny: Commercial Break!

larrychristensen_manifest D. commercial break

“Finished” just in time for 2017’s “I am therefore I think” show at the Goodfoot.  Will be showing this as well as 2 of the others that are in the  series.  The wheels, though they finally roll, they roll so slow –another unrelated piece in the works.  Soon.

 

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The BIG 500 of 2016

 

 

well gang, here we are again, at yet another BIG 500.  Now that isn’t a bad thing.  Most people I know would be surprised to find out that I make stuff –art, if you want to call it that–and that’s  my fault.  Part of that is that is I’ve got no game, no business savvy, no promotion, zip, nada, zilch –I don’t even really talk about it.    The other big part is that I just don’t make a lot of art in a year’s time, so when you put that together, my website is just one “88 STRONG” after another “BIG 500” for the most part.  I get it.  There’s many reasons why this is — none that are great, and none really your business (unless you feel like being my patron, then we can go into details, because someone’s support would be crazy great.  Do patrons even exist?)

I’m going to chat for a minute about this years set for the BIG 500.  This all started out over the summer when a friend of mine was making panels that correspond to the Chakra colors.  I don’t subscribe to the Chakra thing, but seeing panels of bright primary colors rekindled an interest in making colorful abstract pieces.  I dig color theory and abstraction, yet most of my work usually centers around a found image that would be collaged, a story would be created, and while color would play a role, it was the supporting cast.

Color and Pattern can be the story.

Pattern makes me think of quilts, which makes me miss my gramma.  My family isn’t that artsy, so I take note when I hear how my retired dad tinkers in his basement-woodshop making birdhouses, and I encourage mom to sell those Afghans she crochets, and “Like” on FB everything beautiful my distant relative Jan Christensen creates (an amazing photographer), but when I was a kid, the only artsy thing I saw from my family was my gramma’s quilts.  The whole dining room would be taken up with the table-stretcher contraption, so you couldn’t hide it.   Quilting sure as hell didn’t look like it could just be a hobby or something to do when you were bored and cold (my mom’s reply to why she crochets for free), although I bet gramma didn’t make a dime off it either .  Serious craftsmanship and time is put into making good quilts. Taking fragments of colored patterned cloth, cutting them to shape, making whole new patterns.  It’s a beautiful art.  I’ve thought it would be great to learn, but i don’t have the slightest where to start, and I’m sure I don’t have the time or dedication needed.

Around the same time as all the color thoughts were bubbling, I ran across a basic quilting pattern book at the bins.  Now, as of late, I’ve been all about the Gel Medium Transfer technique,  with my newer works building in layers, where one transferred layer sat on/over/through another.  I was inspired –I used one of the patterns, a basic “Columbia Star” pattern, as my drop-in point.  Color, pattern, and a shape, the basic cube, that’s the beginning.  The next part was about slinging paint.

I’d throw paint down,  frisket the panel, cut out my pattern, maybe throw more paint down, maybe gel medium a layer of texture down, and then pull that frisket off, put more down and kept continuing the process.  Then there are a few pieces here which have  no paint-slinging involved, they are strictly just transferred images on top of other transferred images.

What I found fun was the de-evolution of the pattern.  Some I kept tight, didn’t let those shapes float around, others i tried dealing with creating some kind of depth, some I broke apart, and there are two (one is pictured) where I got away from the pattern altogether, though I feel the physically-tiled piece still identifies with the other.

I named these pieces “PROBLEM AREAS”, as I took this as a challenge to create with color/pattern/shape, along with the usual challenges I encounter in art-creation, but also as a nod to a musician I had been listening to practically throughout the entire time I made these.  ONEOHTRIX POINT NEVER

Side note:  here’s what gets me–after about 3/4 through this series, I’m down at the bins (again) and find a book on some quilting artists and I am thoroughly humbled.   I am in complete awe of Jan Myers-Newbury.  It’s as if she had a similar kind of idea process with color, pattern, and evolving/de-evolving in her quilting, (i believe she does say something about starting out with the basic square) and has become some zen-master of it.

If I were to keep going down my path with what I have in these few pieces, I could only dream to have them looking anywhere near as beautiful as hers.  Click and you’ll see.

I am in complete awe of Jan Myers-Newbury .

 

 

the 88 STRONG of ’16

Another year, another go at the 88 STRONG show.  As usual, artists receive up to eight 8″x8″ wood panels to create art on, working off of 88 possible themes.  This year I started off with throwing lots of color down, without any idea where it’d take me.  Some of it worked, some of it didn’t, but luckily I have plenty of this size panel to work with –finished 8, probably have about 12 that I was working with.  Bought a big ol’ roll of pallet tape which works great as frisket paper.  Recent work involves use of color, shapes, and layering of gel medium transfers.

Walking from time, to you

L.CHRISTENSEN_from time to you

walking from time to you

So terrible at putting up new stuff, sorry, This got done back in January.  This piece is kinda a triumph for me, process-wise, as it started out throwing paint on an already wallpapered panel.

It told me what it was looking for, and, once images were found and manipulated, it got done.  Yeah, so what, that’s what supposed to happen, right?  Yes, yes it is, but that’s the thing. the “gettin” part.  See, the piece said, “you need just this type of head”, and that was easy enough –2 grey’s images, reworked together.   But then, what’s it needing?  Pull up some of that flower wallpaper out of the splatter paint, see some flow, some movement, start thinking a lot on composition, and wait for it.  take some older halftone work and work it in, like waters, it shoulder deep.  Still all waiting for the image to start bringing things in, focus my search to colors, making this picture RED.  Success at the bins, finding an old 70’s coloring book, providing me with subjects, background, a “place” for that head to sink into.  Then it’s push and pull, selecting what stays and goes, and making a great decision for my head’s “hair”  –because of the original splatter paint working with the head, I always saw the head as a her, with flaming hair.  The piece had really grown away from that, like it started as “you could be mine” by G’n’R, but was turning more into “november rain”, if you catch my drift.  The work, by then, with all the red, and images of trees and foilage, was screaming fall leaves, which were a plenty.  Once I resolved the lower portion from the previous decision of halftone dots (which is kinda it’s weak point) with the laying flat face, it was done.

fireflowerwalk before nancy drewRED

–an “in progress” pic of the same piece.–

–and yes, for you observant folks, that “red tree background” in the finished piece is used (albeit more manipulated) in the “zoey” plate of previous blog-post.  With the finishing of this, and the sucess at the zoey piece, I will sometime make a plate with this image on it, that is, once I find the plate for it.–

from time to you plate

–something like that.

 

Zoey’s Journey

Image

 

well, that didn’t take long.  finished.  actually, the plate I’ve had prepped and waiting for an image for at least 3 years.  THIS is why they’ll find me in a hoarder-house someday.  Mind you, it’ll be hoarded full of artsy-farts material waiting to be ‘podged together.

Anyways, this is a plate with a gel-medium transferred image.  The image is three images cobbled together via photoshop.

 

The Big 500 of 2015

medium transfer

medium transfer

paint/screenprint on epoxied panel

paint/screenprint on epoxied panel

transfer/screenprint on collage

transfer/screenprint on collage

gel medium over collage transfer

gel medium over collage transfer

paint with gel medium glitter print

paint with gel medium glitter print

Doesn’t look like much has gone on for like….a year?  Well, nope.  Stuff has gone on.  “stuff”, like, say a total of 10+ new pieces that aren’t up on the site.  That’s just silly of me.  Been really working on developing a printing-style process of creating collage using gel-medium transfer techniques.  But then I go and throw paint down, then I go and see something in it, then I have to go and chase that for a while.  Not a lot of work this year, but the process behind the work has been generous.

If you don’t know about gel medium transfers, well, there’s like a million different ways and means, and I have definitely got some opinions on the matter, but here.  This link is a pretty decent start.  I’ll have to make a tutorial sometime…