The Big 500 of 2015

medium transfer

medium transfer

paint/screenprint on epoxied panel

paint/screenprint on epoxied panel

transfer/screenprint on collage

transfer/screenprint on collage

gel medium over collage transfer

gel medium over collage transfer

paint with gel medium glitter print

paint with gel medium glitter print

Doesn’t look like much has gone on for like….a year?  Well, nope.  Stuff has gone on.  “stuff”, like, say a total of 10+ new pieces that aren’t up on the site.  That’s just silly of me.  Been really working on developing a printing-style process of creating collage using gel-medium transfer techniques.  But then I go and throw paint down, then I go and see something in it, then I have to go and chase that for a while.  Not a lot of work this year, but the process behind the work has been generous.

If you don’t know about gel medium transfers, well, there’s like a million different ways and means, and I have definitely got some opinions on the matter, but here.  This link is a pretty decent start.  I’ll have to make a tutorial sometime…

The Big 500 of 2014

 

Well, it’s that time again, time again for annual “BIG” show.  It’s actually called THE BIG 500 this year, as every year seems to grow about 100 more.  I’ve discussed this before (just check, look for the tags, or scroll back a ways, it’s not really that far)  –premise is this:  500 artists (it started years ago at 100; its now listed at 500, though I know it’s more like 600 actually participating) get up to 10 (8″x8″) wood panels and approx. 2 months to create whatever art they want, in whatever mediums they want.  These are then shown all together, randomly and are sold for $40 each, cash and carry.  Most of the money goes to the artist, with the remaining going partly to the gallery and partly to Oregon Food Bank.  They also ask that those coming to the show bring a can of food for the Food Bank —

It’s pretty much a win-win for everyone involved.  Artists make some money if their work sells, but even if it doesn’t, its at least been viewed by a very large audience.  The gallery makes very little when the costs are factored in (imagine the cost of all that wood that is bought and cut) but the amount of people being exposed to Peoples Gallery (as well as the 3 other galleries participating:  Mark Woolley Gallery, the Artist In Residence, or A.I.R. Gallery, and the Rotator Gallery) is well worth it.  And while the OR Food Bank doesn’t get much out of one sale, or one person showing up with a can of food, when you multiply those sales by (possibly, if all sold, though I think it’s more than half) 5000, and the opening crowd being over 200 people strong, they do pretty good.

What I enjoy about THE BIG 500 (in no particular order):

The EXPOSURE!  Your artwork gets to be seen (and bought) by HUNDREDS of people, on the FIRST day it’s up!  And because it’s during the Christmas Season, your chances of selling is good!

The PRICE!  Now, I’m a very poor person (i think i’ve got $14 in my bank account right now) but even I can (usually) afford $40 for a unique piece of art.  There’s a group of collectors who LOVE this show, because they know their favorite artists have up to 10 pieces selling dirt cheap.  It’s true, with some of these artists, its a rarity to get their art at $40.

The CHALLENGE!  I’m sure some artists can just crap out masterpieces (bully for them) but for many I know, it’s a challenge to make 10 works of art in 2 months –And that’s OK.  Challenge Accepted!!!  I  find it usually works something like this:  I immediately have ideas for about half, then when crunchtime really gets me, I come up with the rest and more to spare.   They ask that we do “good work, work that people know us by, work that sells”  —and while I don’t disagree with that, I don’t feel like I have “work that people know me by”, and since most of my stuff doesn’t sell (sad) it’s hard to stop myself from making something just because it might not sell.  What I enjoy in the challenge is that in the process I learn so much.  This year I got a lot of practical experience cutting glass, as 7 out of 10 pieces use glass.  One piece in particular I had to remake 3 times because of breaking glass (also the reason for 9 pictures rather than 10).  I also learned a few things about the epoxy I use which could definitely help out in future projects.

The VOLUNTEERING!  It gets SO CRAZY on opening day, but at the same time its SO CRAZY FUN!

The ART!!!  If you don’t look at art all year, this event will take care of all your art-looking needs.  Simple math says that there will be (at least) 5 FRICKIN THOUSAND pieces of art to look at!  You just gotta do it quick, cause by the end of the first day (my guess is that) nearly half of it will disappear.  Even if you don’t show up the first day, there will still be THOUSANDS of quality pieces to buy for the remainder of the show.

that all said–

 

You should Go!

The Annual BIG 500

Opening 2pm Saturday, Decemeber 13th thru January 11th

at THE PEOPLE’S ART OF PORTLAND GALLERY

in the Pioneer Place Mall, 700 SW 5th Ave, suite 4005

www.peoplesartofportland.com

Are Yesterday’s Execs Keeper of Our Music Zoo?

Vinyl,Cassette,CD,Ether

Are Yesterday’s Execs Keeper of our Music Z

Is obscurity itself the test tubes of tomorrow? Or is just the testing done to pave the way of sorrow? Is the chalice set upon the table for the bride of prima donnas? Or can indeed, the world be freed by finger popping mommas? Is the confusion of immorality little more than a doubt on the face of infinity? Or does indeed immorality feed upon itself And hence hasten to speed  it’s own mortal conclusion? Is the scent of melting tin upon the tracks of time The mere excuse for letting loose the calling cards of crime? Or is this verbose verbosity that very violation? Does not the babbling brook run its way to oceans and streams Only to dry up and rain once more?   -from “the knife fight” by THE RESIDENTS off of ‘WHATEVER HAPPENED TO VILENESS FATS’

This piece comes to you by Divergent Thinking.  The question after the answer, The solution from the making.  Materials arrived at a time when issues had to be addressed and were used accordingly without hesitation, which created new issues which were then pursued.  The background, made nearly a year before the rest, are circle punchouts from a bunch of CD covers mostly 90’s rock/pop/etc., randomly placed.  Somewhere there’s a GIF file showing the placement.